Create custom t-shirts and personalized shirts at CafePress. Use our easy online designer to add your artwork, photos, or text. Design your own t- shirt today!
- 110276 de 51249 Paulo 4872 do 40473 Brasil 38135 da 37863 Da 34422 US$ 2857 Local 19724 Reportagem 1770 Carlos 15055 Jos
- 110480 de 51484 Paulo 4908 do 40723 Brasil 38043 da 37922 Da 35214 US$ 33367 Folha 2900 Local 19724 Reportagem 1790 Jos
- Inspiral Carpets are an English alternative rock band, formed in 1983 in Oldham, Greater Manchester. The band's classic lineup featured frontman Tom Hingley, drummer.
- The band was formed in 1989 by guitarist–vocalist Andy Cairns from Ballyclare and drummer-vocalist Fyfe.
- Band History by Andy Cairns 1989. Northern Ireland, 1989. Andy Cairns from Ballyclare and Fyfe Ewing from Larne meet at a gig of local bands. A mutual taste in music.
The band unveil their first new studio album in two decades in September. Simply entitled INSPIRAL CARPETS the album was recorded. Update – October 2013 I am working my way through this list and updating, removing and adding links where possible. This site has a list of companies that.
Sanaristikot. net - Keskustelu. Voit osallistua kuhunkin keskusteluun klikattuasi ensin sen otsikkoa..
History – Therapy Question Mark. Northern Ireland, 1. Andy Cairns from Ballyclare and Fyfe Ewing from Larne meet at a gig of local bands.
A mutual taste in music and attitude drives them to decide to start a band. Easter/summer they go to a small studio on Belfast’s Lisburn Road and put down their first demo, including: Bloody Blue, Skyward, Body O. D. Michael, an energetic and enthusiastic metal fan, is influenced by the same music as the boys but also adds to the party: Voivod, Carcass, Napalm Death, Black Sabbath and various Grindcore, Black, Speed and Doom Metal. They play their first gig that summer at Belfast Art College organized by Giro’s gig collective, supporting Decadence Within. Later that year they record their second demo in a studio in Lurgan. The tracks are Multifuck, Here Is, S.
W. T. They play more gigs round Northern Ireland and decide to record their own single. The Meat Abstract single is recorded early this year at Homestead Studios, Randalstown with engineer Mudd Wallace. The 7” vinyl single is released on the bands own Multifuckingnational Records. John Peel plays the single, as do Northern Irish D.
J.’s Mike Edgar and Johnny Hero. The band sells the single in Caroline Music Records and Heroes and Villains Records in Belfast, as well as at their gigs.
It soon sells out. That summer they do their first UK tour supporting brilliant Derby band The Beyond. Taking any support slots they can, Therapy? Going back to Homestead Studios the band record the rest of what will be their first album, Babyteeth. Babyteeth is released in July of this year. The band tours the UK again and starts doing press, raising their profile.
The John Peel Radio Sessions and relentless gigging keep the band busy. Download Full Version Of Nero 9 For Free. English and Irish Indie charts. Towards the end of the year the band go into Southern Studios in London to work on their second album with engineer Harvey Birrell. Pleasure Death is released in January on Wiiija/Southern Records and goes to no. UK Indie Charts. Quarterstick records in America, run by Corey Rusk, releases Caucasian Psychosis, a compilation of both the Babyteeth and Pleasure Death albums.
That October the band releases Nurse which makes the UK Top 4. Album Chart. 3. 0 in the singles chart. Magazine front covers with NME and Melody Maker follow, as well as the band’s first trip to the USA where they do their own small headline tour and open up for The Screaming Trees in New York. They end the year with a sold out tour of Britain and Ireland.
The band starts the year in Black Barn Studios, Oxfordshire recording the Shortsharpshock EP with producer Chris Sheldon. Released early that year the lead track Screamager goes top 1.
UK and lifts up the band’s profile even more. The band play English charts show Top Of The Pops and the following tour is sold out. The band makes the cover of Kerrang!
During the year the band release further singles Opal Mantra and Face The Strange EP (featuring lead track Turn). Both these make the UK top 2. TV and radio shows and on the covers of various magazines. The band makes the most of the interest and tour as much as possible in as many countries as possible continuing their reputation as one of the hardest working bands around. A two month US tour sees them opening for two of their favourite bands Helmet and The Jesus Lizard while they begin to make many appearances at European festivals. After the summer the band return to Homestead Studios in Northern Ireland to start writing and rehearsing for their new album.
They go from there to Chipping Norton Studios to do recording and tracking and then on to Rak Studios and The Church Studios in London to do vocals and mixing, all with Chris Sheldon. The band still manages to squeeze in a British and Irish tour to end the year with. Early in the year the band release the Nowhere single which picks up lots of radio play and goes top 2. UK. On the back of it the band release the album Troublegum which goes top 5 in the UK and also charts in various other countries. The album not only contains Screamager, Turn and Nowhere but also future singles Die Laughing, Trigger Inside and (in Germany) the Joy Division cover version Isolation. The album is a critical and commercial success and gives the band a chance to play even more gigs around the world.
They tour America with Henry Rollins, Tad, Swervedriver and others as well as doing their own shows there. They also make it to Japan for the first time, playing two memorable sold out nights in Tokyo. The European tour sees the band building on their increasing fan base especially in Belgium, Holland, Germany, France, Scandinavia, Spain and Austria. They also play Israel. That summer they also play the Castle Donnington, Monsters Of Rock festival.
The year ends with Troublegum topping many end- of- year polls. The band picks up a Kerrang! The bands’ work rate went through the roof with constant touring, record releases and press.